Screen Studies: PhD student profiles
| Name | Topic | Supervisor |
|---|---|---|
| Elisabeth Avram | National Identity in Contemporary Australian Cinema | |
| Edwina Bartlem | Imagining Immersion: Exploring Strategies of Immersion in New Media Art and New Media Exhibition/ Museum Spaces | |
| Patrycja Bieszk | Camp Goldmine: The Fugitive Aesthetic, Cinema and Postmodernism | |
| Katharina Bonzel | Sport Films as an Expression of National Identity | |
| Allan Cameron | The Representation of Media Technology in Science Fiction Films | |
| Lucy Chaffey | The Double and the Doubles Narrative in Television Serials | |
| Blythe Chandler | Globalisation and the Disintegration of Film Narrative | |
| Luana Ciavola | The Italian cinema from the 60s to the 80s as Mirror and Image of Society, Politics and Customs of the Italians | |
| Rose Dalgarno | Fair and Foul: Whiteness, Place and Identity in Australian Soap Opera | |
| Tessa Dwyer | Film, Translation and Mutation | |
| Anika Ervin-Ward | Duck and Cover: Hysteria and the Cold War in the Films of Tim Burton | |
| Marie-Louise Hillcoat | Modern Thresholds of Perception: Representations of Altered States in Early Cinema | |
| Fincina Hopgood | Melodramas of Affliction: Mental Illness in Contemporary Australian and New Zealand Cinema | |
| Paula Kelly | Ethics and Documentary - The Films of Dennis O'Rourke | |
| Jane Kent | Colourist? | |
| Adeline Kueh | Pontianak and her Sisters: Representations of Monstrosity in Southeast Asian Popular Culture | |
| Alexander Ling | Permanent Revolutions: Cinema and the Political | |
| Kealy Macarow | Microscopic Visions: Disease Art and the Cultural Imaginary | |
| Christian McCrea | Playland: A Critical Reflection on Computer and Video Games | |
| Mehmet Mehmet | Visceral Thrills: the Cinema of De Palma, Bigelow and Verhoeven | |
| Domenique Meyrick | 'Even Rome is a Bore': an Existentialist Approach to the Theme of Boredom in La Dolce Vita and L'Avventura | |
| Richard Misek | Black and White Film in the Age of Colour | |
| Radha O'Meara | Rethinking Seriality | |
| Britt Romstad | Traces of Torture: Women, Murder and Representation | |
| Diana Sandars | The Evolution of the Classic Hollywood Musical Genre from 1980 to 2000 | |
| Luke Stickels | More than Words can Say: The Articulate Sublime in Contemporary Japanese Cinema | |
| Samaya Chanthaphavong | Apocalyptic Millenarian Discourse in Contemporary World Cinema: An Analysis of Cinematic Representations of Apocalyptic and Millenarian Theory and its Dissemination throughout Popular Cinema | |
| Silvana Tuccio | The Cinematic 'Language' of Giorgio Mangiamele's Films - including Al Contralto, The Spag, Clay | |
| Lucy Wright | Animism and Science Fiction Anime |
View Screen Studies Masters student profiles
These profile pages will be updated by the School.