Cultural Management: Masters student profiles
| Name | Thesis topic | Supervisor |
|---|---|---|
Recent research theses in Art Curatorship and related issues
- Brittlebank, 2004, "A Survey of Asian Holdings in Victorian regional Galleries"
- Finch, 2005, "Copyright, museums, and the "digital era": The precarious balance"
- Fitzpatrick, 2005, "Clinic to public: the development of the Cunningham Dax Collection"
- Gerardi, 2004, "Sustaining the museum into the 21st Century: reframing the Museums Australia policy guidelines for sustainable practice"
- Gherardin, 2000, "Picturing Modernist Melbourne: Discovering the Cross-section Archive"
- Gray, 2003, "The Museum of Modern Art of Australia"
- Gregg, 2000, "Politics of Influence: Acquisitions of Heidelberg School Painting by the National Gallery of Victoria and Art Gallery of New South Wales"
- Hanson, 2005, "Presenting Pollock from MOMA to NGA"
- Healy, 2005, "The Newlyn School in Australian Public Collection"
- Hodgens, 2000, "A matter of access: An analysis of cultural tourism and art museums with special reference to the National Gallery of Victoria"
- Keys, 2002, "Lasting impressions: The shifting role of the curator/ director during thirty years of recurrent exhibitions in Australia."
- Kocher, 2003, "The Vincent Price Collection of Australian Art"
- Mathews, 2002, " In search of a national identity: The Australian National Gallery"
- Martin, 2004, "Floating World in the Big Apple: The New York Public Library Japanese Woodblock Collection"
- McRae, 2002, "The Collection and Display of Art in Hospitals"
- Meckes, 2001, "Alive and Dangerous: A study of Ann Hamilton's work and its relation to the museum"
- Monro, 2004, "The Art of Hanging: The NGVA and contemporary displays of permanent collections"
- Niklai, 2004, "The Museology of design"
- Osmolovsky, 2002, "Oral History in Australian Museums: Issues and Practice"
- Petrow, 2006, "The Significance of the Horsham Regional Art Gallery's photographic Collection."
- Skerrit, 2004, "Figures of the Field: Refiguring National Identity in the Field Exhibition (National Gallery of Victoria 1968)"
- Smith, 2006, "Creative Partnerships: Artistic Relationships within the Australian House Museum"
- Spencer, 2005, "Indigenous content/ international context: The exhibition of Aboriginal Art"
- Stocky, 2000, The Australian Racing Museum 1974-1999: Evolution of an Industry Museum"
- Strauss, 2002, "Displaying historical truth: the National Museum of Australia, reconciliation and social change"
- Ustandag, 2005, "Gifts from across the Waters: The relevance of the Kailis Collection according to contemporary concepts and values."
- Walsh, 2002, "The death of the slide collection: three case studies in Melbourne"
- Wearne, 2005, "Shifting paradigm: A comparative analysis of the Australian Aboriginal Cultures Gallery and Bunjilaka in the Melbourne Museum."
These profile pages will be updated by the School.